Korg Volca Beats
Appendix: Music terms
A plain-English glossary of the terms used in this course and in drum machine circles generally.
Rhythm and timing
| Term | Meaning |
|---|---|
| 4/4 | The most common time signature: four beats per bar. Almost all pop, rock, dance and hip hop is in 4/4. On the Volca, one 16-step pattern is one bar of 4/4. |
| 3/4 | Three beats per bar, the waltz feel (“1, 2, 3”). Needs a 12-step loop on the Volca (starter beat E). |
| Bar | One cycle of the beat count. In 4/4, a bar is “1, 2, 3, 4”. Also called a measure. |
| Beat | The main pulse you tap your foot to. Steps 1, 5, 9 and 13 on the Volca. |
| BPM | Beats per minute, the measure of tempo. |
| Tempo | The speed of the music. |
| Downbeat | Beat 1 of the bar, the strongest beat. |
| Backbeat | Beats 2 and 4, where the snare or clap usually sits (steps 5 and 13). The backbone of most popular music. |
| Offbeat | The “and” between beats (steps 3, 7, 11 and 15). The open hat in house music and the guitar or uke chop in reggae both sit here. |
| Eighth note | Half a beat; two per beat, eight per bar. Every second step on the Volca. |
| Sixteenth note | A quarter of a beat; sixteen per bar. One step on the Volca. |
| Syncopation | Accents placed off the main beats, which makes a rhythm feel funky or unexpected. |
| Swing / shuffle | Delaying every second note slightly so the rhythm lilts, as in jazz, blues, UK garage and much hip hop. The Volca Beats can’t do this. |
| Groove | The overall feel of a beat; how it makes you want to move. |
| Polyrhythm | Two or more rhythms of different lengths playing at once, so they drift against each other. |
| Quantise | Snapping played notes to the nearest grid position. The Volca quantises everything to its 16 steps. |
| Half-time | A feel where the snare hits on beat 3 only, so the music feels half as fast as the tempo. |
Beats and styles
| Term | Meaning |
|---|---|
| Four on the floor | A kick on every beat (steps 1, 5, 9 and 13). The foundation of disco, house, techno and trance. |
| Boom-chick | The simplest kick (boom) and snare (chick) alternation, used under folk and country strumming. |
| Boom bap | 90s hip hop style named after the sound of its heavy kick (boom) and cracking snare (bap). |
| Breakbeat | A drum pattern originally sampled from the “break”, the drums-only section of a funk or soul record. Also a genre built on those samples. |
| Amen break | A short drum solo from the Winstons’ 1969 track “Amen, Brother”, probably the most sampled drum loop ever, and the basis of jungle. |
| One drop | Reggae beat with nothing on beat 1 and the kick and snare together on beat 3. |
| Two-step | In drum and bass, a sparse beat with the kick on 1 and the “and” of 3, snare on 2 and 4. (Not to be confused with UK garage 2-step.) |
| Jungle / drum and bass | Fast UK genre (about 160 to 175 BPM) built on chopped breakbeats and deep bass. |
| Trip hop | Slow, moody, sample-based style from Bristol in the 90s (Massive Attack, Portishead, Tricky). |
| Big beat | Late 90s style mixing heavy breakbeats with rock energy (The Prodigy, The Chemical Brothers, Fatboy Slim). |
| Electro | Early 80s style built on drum machines and synths, a bridge between funk and hip hop. |
Drums and sounds
| Term | Meaning |
|---|---|
| Kick | The bass drum. |
| Snare | The drum with wire snares underneath that rattle, giving a sharp crack. |
| Clap | A handclap sound, often layered with or used instead of the snare. |
| Hi-hat (hat) | Two cymbals on a stand. Closed is short and tight; open rings longer. |
| Toms | Pitched drums used for fills. |
| Crash | A loud cymbal for marking the start of a new section. |
| Ride | A cymbal played in steady patterns. The Volca has none, so a long-decay closed hat stands in. |
| Claves | Two wooden sticks struck together; a bright, short click. |
| Agogo | A pair of tuned metal bells from Brazil. |
| Cowbell | A metal bell sound famous on the 808. The Volca’s agogo is the closest substitute. |
| Fill | A short burst of drumming, often on toms, that leads into the next section. |
| Ghost note | A very quiet drum hit, usually on the snare, that adds feel. Needs velocity, so the Volca can’t do them. |
| Accent | A hit played louder than those around it. |
| Velocity | How hard a note is played, controlling its volume. The Volca Beats has no velocity per step. |
| Decay | How long a sound takes to fade away after it’s struck. |
| Pitch / tuning | How high or low a drum sounds. |
| Snappy | The level of a snare drum’s wire rattle. |
Machines and gear
| Term | Meaning |
|---|---|
| 808 | The Roland TR-808 Rhythm Composer (1980), an analogue drum machine. Its long, booming kick, snappy clap and cowbell shaped electro, hip hop and later trap. “808” is now also slang for a long, pitched bass kick. |
| 909 | The Roland TR-909 (1983), part analogue and part sampled (its cymbals). The core sound of house and techno. |
| CR-78 | Roland’s CompuRhythm CR-78 (1978), an early programmable drum machine heard on “In the Air Tonight”. |
| DMX | The Oberheim DMX (1981), a sample-based drum machine heard on much early 80s rap. |
| Analogue | Sound made by electronic circuits in real time. The Volca’s kick, snare, toms and hats are analogue. |
| PCM / sample | A recorded sound played back digitally. The Volca’s clap, claves, agogo and crash are PCM. |
| Step sequencer | A sequencer where you program a beat by switching steps on or off on a grid, as on the Volca. |
| Pattern / sequence | One programmed loop of beats. Korg calls it a sequence. |
| Chain / chaining | Playing patterns one after another automatically. The Volca Beats can’t do this; switch patterns by hand. |
| Motion sequencing | Recording knob movements into a pattern so they replay. |
| Stutter | Rapid automatic retriggering of a sound, like a roll or echo. |
| Mute / solo | Mute silences a part; solo silences everything except one part. |
| MIDI | The standard digital language electronic instruments use to send notes, clock and control changes. |
| MIDI clock | Timing messages that keep instruments in time with each other. |
| Sync / analogue sync | A simpler timing method: a voltage pulse per step down a 3.5 mm cable, as used between Volcas. |
| DAW | Digital audio workstation: music software on a computer, such as Ableton Live, Logic Pro or GarageBand. |
