Jazz Piano for Classical Players
Quick reference
Keep this on the music stand.
Chord symbols
| Quality | Formula | On C | Also written |
|---|---|---|---|
| Major 7 | 1 3 5 7 | C E G B | CM7, CΔ7, CΔ |
| Dominant 7 | 1 3 5 b7 | C E G Bb | C7 |
| Minor 7 | 1 b3 5 b7 | C Eb G Bb | C-7, Cmi7, Cmin7 |
| Half-diminished | 1 b3 b5 b7 | C Eb Gb Bb | Cø, Cø7, C-7b5 |
| Diminished 7 | 1 b3 b5 bb7 | C Eb Gb A | C°7, Cdim |
| Major 6 | 1 3 5 6 | C E G A | C6 |
| Minor 6 | 1 b3 5 6 | C Eb G A | C-6, Cm6 |
| Sus | 1 4 5 b7 | C F G Bb | C7sus4, C9sus, Bb/C |
Chords in a major key
I maj7 · ii m7 · iii m7 · IV maj7 · V 7 · vi m7 · vii m7b5
Circle of fifths
Shell voicings (LH)
Shape A: 1 3 7. Shape B: 1 7 3. Alternate them when roots move by 4ths. Root in the octave below middle C.
Rootless voicings (LH)
A form: 3 5 7 9. B form: 7 9 3 5. On a dominant, swap the 5 for the 13. Keep them between the D below middle C and the G above.
ii-V-I in C
| Dm7 | G7 | Cmaj7 | |
|---|---|---|---|
| Shells | D F C | G F B | C E B |
| Rootless, version 1 | F A C E | F A B E | E G B D |
| Rootless, version 2 | C E F A | B E F A | B D E G |
Guide tones: the 7th falls a half step to the next chord’s 3rd.
Minor ii-V-i in C minor
| Dm7b5 | G7alt | Cm | |
|---|---|---|---|
| Shells | D F C | G F B | C Eb A (Cm6) |
| Rootless | F Ab C D | F Ab B Eb | Eb G Bb D (Cm9) |
Upper structures over G7 (LH F B)
| RH triad | Sound |
|---|---|
| A major | 13 #11, bright |
| E major | 13 b9, dramatic |
| Eb major | #9 b13, dark |
| Db major | b9 b5, tense |
Jazz blues in F
| F7 | Bb7 | F7 | Cm7 F7 |
|---|---|---|---|
| Bb7 | Bdim7 | F7 | D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
F blues scale: F Ab Bb B C Eb. F9 A C Eb G to Bb13 Ab C D G.
Swing and comping
- Eighths: long-short, accent the off-beat. Metronome on 2 and 4.
- Charleston: 1, and of 2. Anticipation: and of 4, tied over.
Improvising
Chord tones on the beat · approach from a half step below · enclose (above, below, target) · bebop scale on G7: G F# F E D C B A · The Lick: D E F G E C D
Tricks
The slide (Eb into E) · So What voicing E A D G B · tritone sub (Db7 for G7) · side-slip from a half step above · block chords (C6 and diminished) · I-vi-ii-V intro · tag ending (iii-VI-ii-V three times) · C6/9 final chord: C G A D E
